Last week’s topic for the sociology 101 course in Garden State Prison
was the family. One of the co-teachers
went in on Tuesday to discuss issues of demographic and population-level
changes, whereas I came in on Thursday to discuss more the issues of the family
at the micro level: changes in cultural views of the family in the U.S., the
social consequences of divorce and single-parent households, etc.
I had heard previously from my students, however, that they really
enjoy poetry. So I promised to bring in
a poem when I came in to teach on the family.
I tried to pick one that would be relevant in some way, a poem that at
least touched on family, and I finally settled on one of my favorite poems: “
TheLanyard,” by Billy Collins.
The poem is about a man remembering the lanyards he used to make for
his mother, the useless, worthless, silly lanyards that he used to make for his
mother while at camp. They were never
used for anything, nor were they particularly beautiful in any way.
“Here are thousands of meals, she said,
and
here is clothing and a good education.
And here is your lanyard, I replied,
which
I made with a little help from a counselor.”
Class began with a reading of the poem.
I asked the group of 11 men whether anybody had a good poem-reading
voice and wouldn’t mind reading the piece out loud. Several students called out for Jamal* to
read it, all saying that he had a great way with words. Jamal graciously said no, taking in the
compliments of his fellow inmates while brandishing a sheepish grin of
modesty. With more and more students
calling for him to read the poem, he finally assented and sat up in his seat,
the grin still not having faded away.
“Could I rap it?” he asked me.
“I don’t think you’ll want to.
You’ll see when we get through the poem,” I responded.
Jamal laughed, but started reading the poem in a strong, booming
voice. He read it out slowly. In fact, I felt as though it was too slow, but as he progressed it just grew in a
way that became all too beautiful.
A
full enunciation of each word was thrown out powerfully, and he read the poem
with excellent style: not stopping at the ends of the lines but rather at the punctuation
marks. He did, indeed, start reading the
poem more like rap or hip-hop lyrics, but (as I expected) he changed his style during the middle of the poem.
He read the poem unlike any other poem reading I have ever heard. Never have I sensed such power with the words, and never have I read this very poem with the kind of past that Jamal was bringing to it. When he finished the last word, the silence that remained punched my
core. The students all nodded their head
in approval, and several of them snapped their fingers to praise the beautiful
poem reading. I took note that the
students enjoyed the poem; they all asked for more in coming weeks.
For me, the experience left an indelible mark. Jamal’s voice still rings in my
head; his beautiful reading still echoes in my mind. Here is a poem by a successful white man, a
poem that reminisces in part about the camps he went to “by a deep Adirondack
lake.” And here is an incarcerated black
man reading this poem, one who stumbled with the very pronunciation of “Adirondack.” The world became dizzy as I tried to come to terms with it all. I still get chills thinking about it.
This is certainly not the last time I read this poem by Collins. But whenever I hear or read this poem in the future, it will now be accompanied
by Jamal’s voice.
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* Not his real name.